Costalegre by Courtney Maum ’01; Elderhood: Redefining Aging, Transforming Medicine, Reimagining Life by Louise Aronson ’86; and The Paper Wasp by Lauren Acampora ’97
PHOTO: Erik Gould
The Arts

Fresh Ink
New books by Courtney Maum ’01, Louise Aronson ’86, and Lauren Acampora ’97

By Edward Hardy / November/December 2019
November 5th, 2019

Elderhood: Redefining Aging, Transforming Medicine, Reimagining Life by Louise Aronson ’86 (Bloomsbury)

In this mix of memoir and reportage, Aronson, a geriatrician and professor of medicine at the University of California San Francisco, sifts through her experiences as a physician to highlight the many ways our medical system makes life harder for the elderly. What Aronson (A History of the Present Illness) convincingly argues for here is a shift in the way society and medicine view old age, so it’s not seen as simply a straight-line decline but a separate phase of life—like childhood and adulthood—with its own challenges and rewards.

The Paper Wasp by Lauren Acampora ‘97 (Grove Press)

Abby Graven, a brilliant, dreamy artist, felt stranded back in Michigan after her eighth-grade best friend Elise Van Dijk headed off to Hollywood on a rocket sled to stardom. When they meet again at a ten-year high school reunion, Elise casually suggests that maybe Abby should come to Los Angeles and be her assistant? After Abby books a flight and shows up unannounced, things get a little twisted. In this debut novel, Acampora
(The Wonder Garden) takes a vivid, nuanced look at ambition, art, and fraught relationships, one that sparkles from sentence to sentence.

Costalegre by Courtney Maum ’01 (Tin House)

It’s 1937 at a resort on the coast of Mexico where Leonora Calaway, an art-collecting heiress, has spirited away a cache of avant-garde writers and painters who are fleeing Hitler’s rise in Europe. We’re seeing this through the diary of Lara, Leonora’s 14-year-old daughter, a painter who dearly misses her distracted mother. This is Maum’s third novel (following I Am Having So Much Fun Here Without You and Touch), and the narrative, loosely based on the story of Peggy Guggenheim and her daughter, Pegeen, is a spare but convincing glimpse into a young life surrounded by celebrity and shaped by longing.

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Related Issue
November/December 2019