Image of books by Karen Dukess ’84, Akemi Johnson ’04, and Susan Rebecca White ’99
Erik Gould
The Arts

Fresh Ink
Books by Karen Dukess ’84, Akemi Johnson ’04, and Susan Rebecca White ’99

By Edward Hardy / January/February 2020
January 3rd, 2020

The Last Book Party by Karen Dukess ’84 (Henry Holt)

It’s 1987, the Bangles are on the boombox, literary agents still send manuscripts out in white boxes, and Eve Rosen, a Brown grad who longs to be a writer but is marking time as an editorial secretary at a New York publishing firm, gets an invitation to a literary house party on Cape Cod. There she meets Henry Grey, a New Yorker writer she has corresponded with, along with Franny, his son, and Tillie, his poet wife. The narrative shuttles from Truro to Manhattan and back as Eve leaves her job to become Henry’s research assistant. Affairs, awakenings, and betrayals follow in this entertaining coming-of-age debut.

Night in the American Village: Women in the Shadow of the U.S. Military Bases in Okinawa by Akemi Johnson ’04 (The New Press)

Okinawa is home to more than 50,000 Americans and more U.S. military bases than anywhere in Japan. In this fascinating, deeply reported debut, Johnson explores the complex ways in which the U.S. presence influences life on the island. Structured around the stories of eleven women, including Okinawan activists, military wives, American base workers, and friends of Johnson’s when she lived there, the result is a nuanced chorus of perspectives and a compelling dive into the shifting mix of Japanese, American, and Okinawan cultures in Japan’s southernmost prefecture.

We Are All Good People Here by Susan Rebecca White ’99 (Atria)

This multigenerational saga chronicles the twined friendship of two roommates who meet on move-in day at Belmont College in Virginia in 1962. Daniella Gold, whose parents are middle-class liberals from Washington D.C., and Eve Whalen, from an upper crust Atlanta family, form a surprising and nearly instant bond. The novel follows the arcs of their lives—as Eve becomes radicalized and Daniella takes a more pragmatic route towards building social justice—on through civil rights struggles, Vietnam protests, and into the early 1990s, when their daughters’ lives take hold of the narrative. A wide-angle read tracing how the bonds of early friendship can fray but still hold.

What do you think?
See what other readers are saying about this article and add your voice. 
Related Issue
January/February 2020